![u he diva stereo supersaw u he diva stereo supersaw](https://2.bp.blogspot.com/-zgbrbZV2q4U/Uqe8sRDj3cI/AAAAAAAH3bQ/E_NWcR90v9w/s1600/Zebra_1.0_XY.jpg)
The rest of the tutorial shares how you can control the transitions between pluck and pad and how to process the sound to work in different types of music. That wraps up the synth programming side of things. And a Dimension Expander is loaded into the FX2 tab, which gives this NI Massive supersaw some more room to move around in.And the EQ is used to finish shaping the sound. A chorus unit is loaded into the FX1 tab, which gives our sound more depth and movement. serum, korg mono/poly and u-he diva, but you can apply the info to any.
U HE DIVA STEREO SUPERSAW PRO
Now a Hipass/Lowpass Filter is added as an insert effect, which can be used later to modulate the sound easily through automation or MIDI mapping. The model pro vst plugin is a monophonic virtual analog synthesizer with 2. A Modulation Envelope is set up and assigned to control to Cutoff parameter fo this filter. The chord is played three times: first with minimum detune, then with a typical medium detune (roughly.
![u he diva stereo supersaw u he diva stereo supersaw](https://mlpnk72yciwc.i.optimole.com/cqhiHLc.WqA8~2eefa/w:350/h:350/q:75/rt:fill/g:ce/https://bleedingcool.com/wp-content/uploads/2019/09/simulacra-pax-west-2019-16.jpg)
First you hear 4 single notes an octave apart, followed by a simple chord sequence. In the audio comparison each synth plays a midi file in turn. All the main oscillators and the noise oscillator are all routed directly into the Filter1 panel, where a Daft filter has been loaded. 24 Synth Supersaw Comparison (Supersaw Shootout) 9:00. Next, some Bright Noise is introduced via the Noise oscillator. This creates a very big sound already and you should be able to recognize the iconic character that is building. The pitch is varied across these oscillators as follows OSC1 is set to 12.05, OSC2 is set to -0.04 and OSC3 is set to -11.96.
![u he diva stereo supersaw u he diva stereo supersaw](https://plugincrack.com/wp-content/uploads/2020/11/u-he-Diva-Making-a-Track-from-Scratch-TUTORiAL-1024x764.jpg)
A default Square-Saw I wavetable is loaded into all three main oscillators. Once this is done we can move on to setting up the main oscillators. Next, the Pitch Cutoff feature is used to spread out the voices and introduce some natural phasing. DIVA by u-he: DIVA stands for Dinosaur Impersonating Virtual Analogue. Then the Pan Position feature is turned on and used to widen the sound. KVR Audio: Comprehensive web site for audio plugins. To start this NI Massive supersaw off, the total number of Unison Voices is increased to 8 on the Voicing tab. And it is an easy sound to process, as it works well with all sorts of effects too. The key to a huge sounding NI Massive supersaw like this is a combination of voicing and pitch settings. It’s easy to manipulate and the core sound is basic enough that it matches up well with many other sounds. It has crossed over into some unexpected new territory in recent years, mostly because of the special kind of flexibility it brings to the music. This tutorial shares how to make a big NI Massive supersaw flex synth perfect for this!Īlthough the first thing you make think of when hearing this type of instrument is Trance music, a synth such as this can also be heard in house, electro, techno and various other genres now. You are rapidly propelled straight past the present then into the future and beyond. Turn the ignition, fire up Division’s 107 key labelled presets, wav loops and midi files. Diva has that warm, analogue style tone you have grown to love. There are many different modern music genres that showcase anthemic synths that flex from pluck or stab to huge pad or lead. A collection of highly anticipated presets for u-he‘s virtual analogue DIVA.